Stumbled across this story about a man named John Rukavina who is a member of Chicago’s Local 1 ironworker union. John just turned 75, but in these videos and interview here, he is 74 years old – and still climbing up on the top of the skyscrapers in Chicago to install new antennas. John claims to have worked on every high tower in Chicago since 1964. More…
This video is a very well produced “mockumentary” which follows the journey of a plastic bag from a California city to the ocean with it’s final destination of the “Great Pacific Garbage Patch.” At the bottom of this post are some photos, but I will warn you, some of them are disturbing.
In 1965, Herb Younger purchased a new 1965 Chevy Impala SS. This car was his baby. For twenty years, he cared for this car and kept it in pristine condition. However, when it was time for his two sons to go to college, Herb’s love for his sons was more important than the Impala so he sold the car to help pay for his sons’ tuition. More…
I found this documentary very intriguing. I, myself, am not prone to be a “conspiracy theorist,” but some very valid points are brought up in this documentary. I remember when I was glued to the TV watching this horrific event unfold in front of my eyes that many questions arose in my mind. I am no expert in this field, but I have two college degrees and 12 years of science and technology at a very prominent engineering college. There were many things which just did… not… make… sense. This documentary was very well made from what appears to be a neutral standpoint. People simply wanting answers and the truth. And there are many items in this documentary which make more sense than what we have been told for nearly a decade now. I urge you to watch and keep an open mind. I honestly do not believe that we (being the general public) will ever know the truth.
On May 31st, Warner Home Video will honor Kubrick and the film with A Clockwork Orange 40th Anniversary Edition on Blu-ray ($34.99 SRP). The two-disc release includes two newly-produced bonus features: Turning Like Clockwork, a 25-minute documentary about the film’s “ultra-violence” and its cultural impact, and a short documentary where Malcolm McDowell reminiscences on working closely with the legendary director. This two-disc edition will also contain the feature-length documentaries, Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! The 40th Anniversary Edition will be packaged in a 40-page Blu-ray book with rare photos and production notes.
Here are some recent pictures of Malcolm McDowell (Alex)
A Clockwork Orange is a 1971 darkly satirical science fiction film adaptation of Anthony Burgess’s 1962 novel of the same name. The film, which was made in England, concerns Alex (Malcolm McDowell), a charismatic, psychopathic delinquent whose pleasures are classical music (especially Beethoven), rape, and so-called ‘ultra-violence.’ He leads a small gang of thugs (Pete, Georgie, and Dim), whom he calls his droogs (from the Russian друг, “friend”, “buddy”). The film tells the horrific crime spree of his gang, his capture, and attempted rehabilitation via a controversial psychological conditioning technique. Alex narrates most of the film in Nadsat, a fractured, contemporary adolescent slang comprising Slavic (especially Russian), English, and Cockney rhyming slang.
This cinematic adaptation was produced, directed, and written by Stanley Kubrick. It features disturbing, violent images, to facilitate social commentary about psychiatry, youth gangs, and other contemporary social, political, and economic subjects in a dystopian, future Britain. A Clockwork Orange features a soundtrack comprising mostly classical music selections and Moog synthesizer compositions by Walter Carlos (later known as Wendy Carlos). The now-iconic poster of A Clockwork Orange, and its images, were created by designer Bill Gold. The film also holds the Guinness World Record for being the first film in media history to use the Dolby Sound system.
From Wikipedia: A Clockwork Orange (film)
Photos and official trailer of the movie
Tim Hetherington, Chris Hondros hit by explosion in besieged city of Misrata
MISURATA, Libya — On Saturday evening, Tim Hetherington, the director of the Oscar-nominated documentary “Restrepo,” and Chris Hondros, a Pulitzer Prize-nominated photographer, hitched a ride to this besieged city on the Ionian Spirit, where they prepared sandwiches for refugees and talked about their plans back home. On Wednesday evening, the ship ferried the bodies of the two renowned journalists back to Benghazi.
The two journalists were fatally wounded during an attack by Moammar Gaddafi’s forces against rebels in Misurata. Two other photojournalists suffered injuries, some critical, according to doctors at the hospital where they were treated.
Hetherington, 40, (photo on the right, below) a photographer and filmmaker who famously recounted the plight of U.S. soldiers in Afghanistan, died shortly after the attack, according to his family and a Washington Post reporter at the scene.
Hondros, 41, (photo on the left, below) a photographer for Getty Images, died several hours later, according to Emma Daly, a spokeswoman for the New York-based group Human Rights Watch. Hondros’s depictions of war’s toll have appeared in many magazines and newspapers, including the front page of Wednesday’s Post.
The journalists had accompanied rebel fighters to Tripoli Street in the city center, which Gaddafi’s forces pounded with mortar fire in an attempt to retake the strategic road that divides Misurata. An ambulance took Hetherington and Guy Martin, 28, a British freelance photographer working for the news agency Panos, from the battle to the makeshift triage tent next to the Hikma hospital about 5 p.m. Hetherington was bleeding heavily from his leg and looked very pale.
“Come with me. Come with me. Everybody is injured,” an American photographer who had seen the attack shouted to ambulance drivers, imploring them to return to the scene. Her bulletproof vest was splattered with blood. “I’ll come with you. I’ll show you where they are.”
As she sought help, doctors attended to Hetherington and Martin, who had suffered a stomach wound and remained in surgery Wednesday evening. About 15 minutes after the ambulance’s arrival, doctors in the tent pronounced Hetherington dead.
About 10 minutes later, another ambulance carried Hondros and Michael Christopher Brown, who also suffered shrapnel wounds, to the triage unit. Doctors examining a scan of Hondros’s brain explained that shrapnel had hit the photographer in the forehead and passed through the back of his head. They asked a reporter at the hospital to look after his battered helmet. Brown’s medical condition was considered less dire.
The group of American and British photojournalists were following rebels into heavy fighting. “I told them not to gather,” one rebel outside the tent recalled advising the photographers about the dangers of sticking too close together. “They hit groups. I told them not to.”
Hetherington’s family released a statement mourning the loss: “It is with great sadness we learned that our son and brother photographer and filmmaker Tim Hetherington was killed today in Misrata, Libya by a rocket-propelled grenade.” They added, “Tim was in Libya to continue his ongoing multimedia project to highlight humanitarian issues during time of war and conflict. He will be forever missed.”
Cathy L. Saypol, Hetherington’s manager, said in an interview that she learned of his death as she spoke on the phone with author Sebastian Junger, with whom Hetherington had directed the Oscar-nominated documentary.
“There is no way to express my devastation and sorrow at the death of my dear friend,” Junger said in a statement. He added, “I can’t believe he’s truly gone.”
Hetherington and Junger were recently in Libya together, working on an assignment for Vanity Fair, according Beth Kseniak, a spokeswoman for the magazine. Hetherington was not on assignment for the magazine at the time of his death, she said.
Hetherington and Hondros are the third and fourth journalists, and the first Western journalists, killed in Libya since fighting began in February, according to the New York-based Committee to Protect Journalists. Hetherington, the recipient of the 2007 World Press Photo Award for his photos of U.S. soldiers in Afghanistan for Vanity Fair, reported on the heavy bombardment earlier in the week via his Twitter account. “In besieged Libyan city of Misrata,” he wrote. “Indiscriminate shelling by Qaddafi forces. No sign of NATO.”
“It is overall quite bad,” Gypsy Guillen Kaiser, a spokeswoman for the committee, said of the situation in Libya. “As we speak, there are journalists — at least 18 — missing and detained, and we don’t know their fate.”
Last week, Hondros and Hetherington joined other colleagues on the Ionian Spirit, dispatched to evacuate foreign workers from the embattled city. During the 20-hour voyage, Hetherington ate chips while Hondros told the colleagues about his recent engagement to a woman from New York. “I don’t want to be a really old dad,” he confided.
On Wednesday evening, that same vessel waited at port in Misurata for another cargo of migrant workers but was enlisted for a different mission. Before Hondros died at 10:45 p.m., Human Rights Watch reached out to the ship’s handlers and asked whether it could be used to transport him and Martin back to Benghazi for additional medical care. Instead, the bodies of Hetherington and Hondros were due to leave aboard the Ionian Spirit on Wednesday evening.
( Outpost Films via Associated Press ) – Directors Sebastian Junger, left, and Tim Hetherington at the “Restrepo” outpost in the Korengal Valley, Afghanistan, during the filming of their documentary. Hetherington was killed Wednesday in Misurata.